{"lien_WSTV":"","tax_name":"deprecated","tax_rate":20,"id_manufacturer":"0","id_supplier":"0","id_category_default":"610","id_shop_default":"1","manufacturer_name":false,"supplier_name":false,"name":"Chronographe Royal Oak Offshore","description":"<strong>ROYAL OAK OFFSHORE CHRONOGRAPH<\/strong><br \/><br \/>Three new timepieces are joining the prestigious lineage of Royal Oak Offshore chronographs. Case size, design elements and the choice of materials represent a number of subtle touches that are forging a new path on which control meets strength. These timepieces that have now become a signifcant part of the collection are indeed distinguished by a perfect balance of forces. The collection\u2019s signature codes are all there, since one simply cannot modify the identity of a legendary collection, the quintessential sports watch combining audacity and performance. The horological substance is also there, housed within a mechanical selfwinding movement with exceptional fnishing representing the pinnacle of watchmaking hand craftsmanship. <br \/><br \/><strong>The case: outsized perfection<\/strong><br \/><br \/>Historically, the Royal Oak Offshore is the largest of the large. Disproportionate' Gigantic' When it was frst introduced in 1992, some even went so far as to claim it was an insult to good taste. It proved to be a pioneer! Its design echoed the vigorous shape of the Royal Oak, the famous octagon that in 1972 had shaken up the peaceful scene of classic round watches. <br \/><br \/>But 20 years later, the Royal Oak Offshore was even sturdier and more masculine. It set the trend for large-sized watches that has continued ever since. Today, the Royal Oak Offshore collection is reaffrming its supremacy, since the case of the new threesome measures a full 44 millimetres.<br \/><br \/>In each of the three versions, the case is composed of two materials. Ceramics is associated with steel for the frst, with forged carbon in the second, and with pink gold for the third. Forged carbon is a material borrowed from the feld of aeronautics and which the Manufacture Audemars Piguet was the frst to introduce into the world of fne watchmaking.<br \/>The choice of ceramics for the bezel \u2013 the part most exposed to shocks and thus to scratches \u2013 is due to its extreme resistance and hardness. The level of fnishing applied to this material deserves a mention, because although this material is currently much in favour in the watch industry, rarely is it fnished with such meticulous care. Diamond-coated grinding wheels remove hundredths of a millimetre layers of material in order to achieve the same fne details one can achieve, but the process requires a large number of operations that are far more delicate and time-consuming.<br \/><br \/>The contrasting materials serve to underscore the stature of the 44 millimetre case middles. With their surface featuring a vertical satin-brushed fnish and their polished chamfers, the ceramic bezels accentuate the strong character of the octagonal shape, which is punctuated by its eight polished steel hexagonal screws in keeping with the signature codes of the collection. It is instantly recognizable, repeatedly imitated, but as yet unequalled! <br \/><br \/>The right-hand side of the watch has been the object of particular care. The pushpiece-guards are not part of the case, but are instead composed of two separate parts secured to the case by four visible screws. The pushpieces are composed of two parts: a base and a top that serves as a contact surface. The construction is thus highly complex and calls for a large number of operations, especially since the parts feature a wide variety of fnishes. The pushpiece-guards are beadblasted and satin-brushed, while the pushpieces are beadblasted and feature a satinbrushed and polished top. These models thus involve far more than just a change of size. The entire aesthetic of the case has been reworked. The clear-cut edges defne a chronograph with taut, sculptured lines radiating self-assurance, effciency and extreme technical sophistication.<br \/><br \/><strong>The dial: a pure, modern look<\/strong><br \/><br \/>The dials adopt an extremely understated style. Nothing is purely decorative, and everything has been designed to enhance their readability. They feature facetted hands in white or pink gold and are coated with a luminescent substance. The contrasting colours mainly aim to facilitate legibility: a silver-toned dial and bezel with black counters and anthracite hourmarkers for the steel version; and a black dial and fange with silver-toned counters and pink gold hour-markers for the pink gold version. On the forged carbon model dominated by black tones, the hour-markers are highlighted in the luminescent green colour typical of measuring instruments. The chronograph indications are distinguished by the red accents of the chronograph counter hands and the central sweep seconds hand. Each of the dials carries the collection\u2019s trademark \u201cM\u00e9ga Tapisserie\u201d motif, while the grooved black rubber strap also complies with the original identity codes.<br \/><br \/><strong>The movement: mechanical splendour<\/strong><br \/><br \/>Turning over the watch enables one to gaze through its transparent back to admire its beating heart. Developed on the basis of Audemars Piguet Calibre 3120, the 3126\/3840 movement is distinguished by its extreme reliability. Its cross-through balance-bridge ensures improved shock-resistance, while its rating remains stable thanks to a variable-inertia balance ftted with eight inertia-blocks. Moreover, Calibre 3126\/3840 provides excellent user-friendliness, particularly due to the instant-jump and fast-adjusted date mechanism, along with a 60-hour power reserve and a stop seconds device when setting the time.<br \/><br \/>One also notes the refned cutting out and meticulous craftsmanship lavished on this calibre may be admired through the sapphire crystal case-back. Hand-assembled and decorated in the Le Brassus workshops, this movement boasts an exceptional level of execution and fnishing. Arranged in an elegantly harmonious manner, the bridges are carefully bevelled and polished so as to reveal only clean-cut edges. The jewel sinks are diamond-polished, and the wheels feature bevelled spokes and diamond-polished countersinks. Even the rim and lots of the screws are bevelled. The mainplate is circular-grained on both sides and the bridges are adorned with C\u00f4tes de Gen\u00e8ve.<br \/><br \/>Finally, the newly developed oscillating weight is crafted all of a piece from a block of 22- carat gold and is coated with an anthracite galvanic treatment in harmony with the sporting and technical spirit of the collection. 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{"Compl\u00e9ment":"Pink Gold - Black Ceramic","Statut de vente":"En vente depuis","Date":"2011","Pi\u00e8ce unique":"No","S\u00e9rie limit\u00e9e":"No","Sexe":"Homme","Gaucher":"No","Diam\u00e8tre":"44","Epaisseur":"14.43","Types":"Self-winding","Styles":"Sporty","Calibre_autre":"3126\/3840","Calibre distinction":"Circular Graining, C\u00f4tes de Gen\u00e8ve","Affichage_autre":"Rose gold luminescent hands","Complication":"30-Minute Counter, Tachymeter, Chronograph, Small Seconds, 12-Hour Counter","Mati\u00e8re du bo\u00eetier":"Pink gold","Particularit\u00e9 du boitier":"Sapphire caseback, Engraved caseback","Particularit\u00e9 du boitier_autre":"Black ceramic bezel crown and push-buttons, Pushpiece-guards in pink gold","Etanch\u00e9it\u00e9":"100 meters","Forme":"Other","Couleur du cadran":"Black","Index":"Baton-type, Arabic numerals","Index_autre":"Applied pink gold hour-markers","Verre":"Sapphire","Mati\u00e8re du bracelet":"Rubber","Fermeture du bracelet":"Pin buckle","Couleur du bracelet":"Black","Plus de caract\u00e9ristiques":"Movement<br \/>Total diameter: 29.92 mm <br \/>(131\/4 lignes)<br \/>Casing diameter: 26 mm<br \/>Thickness: 7.16 mm<br \/>59 jewels<br \/>365 parts<br \/>Frequency : <br \/> 21.600 vibrations\/hour <br \/>Power reserve of 60 hours<br \/>Variable-inertia balance with eight inertia-blocks and fat balance-spring<br \/>Geneva-type mobile balance-spring stud-holder<br \/>Three-position winding stem<br \/><br \/>Finishing: all parts finely decorated; mainplate circular-grained; bridges rhodiumed. bevelled. snailed and adorned with C\u00f4tes de Gen\u00e8ve<br \/>Diamond-polished jewel sinks Diamond-polished countersinks and bevelled wheel spokes<br \/>Bevelled screw rims<br \/>Partially openworked 22-carat gold oscillating weight with anthracite galvanic treatment<br \/><br \/>Case<br \/>18-carat pink gold<br \/>Royal Oak Offshore engraving<br \/>Pushpiece-guards and fastening studs 18-carat pink gold<br \/><br \/>Dial<br \/>Exclusive 'M\u00e9ga Tapisserie' engraving<br \/><br \/>Strap adorned with two grooves<br \/>18-carat pin buckle"}

Chronographe Royal Oak Offshore

Reference: 26400RO.OO.A002CA.01

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Brand  :	Audemars Piguet
Collection  :	Royal Oak Offshore
Model  :	Chronographe Royal Oak Offshore
Reference  :	26400RO.OO.A002CA.01
Complement :	Pink Gold - Black Ceramic
On sale :	2011

39 050 €Recorded list price in FranceI WANT ITADD TO CART

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• Brand  :	Audemars Piguet
  Collection  :	Royal Oak Offshore
  Model  :	Chronographe Royal Oak Offshore
  Reference  :	26400RO.OO.A002CA.01
  Complement :	Pink Gold - Black Ceramic
  On sale :	2011
  List Price :	39 050 €
  Diameter :	44 mm
  Thickness :	14.43 mm
  Styles :	Sporty
  Types :	Self-winding
  Calibre :	3126/3840
  Calibre distinction :	Circular Graining Côtes de Genève
  Complication :	30-Minute Counter Tachymeter Chronograph Small Seconds 12-Hour Counter
  Case material :	Pink gold
  Case peculiarity :	Sapphire caseback Engraved caseback Black ceramic bezel crown and push-buttons Pushpiece-guards in pink gold
  Shape :	Other
  Water-resistance :	100 meters
  Dial color :	Black
  Display :	Rose gold luminescent hands
  Indexes :	Baton-type Arabic numerals Applied pink gold hour-markers
  Glass :	Sapphire
  Strap material :	Rubber
  Strap color :	Black
  Strap clasp :	Pin buckle
  + More characteristics :	Movement Total diameter: 29.92 mm (131/4 lignes) Casing diameter: 26 mm Thickness: 7.16 mm 59 jewels 365 parts Frequency : 21.600 vibrations/hour Power reserve of 60 hours Variable-inertia balance with eight inertia-blocks and fat balance-spring Geneva-type mobile balance-spring stud-holder Three-position winding stem Finishing: all parts finely decorated; mainplate circular-grained; bridges rhodiumed. bevelled. snailed and adorned with Côtes de Genève Diamond-polished jewel sinks Diamond-polished countersinks and bevelled wheel spokes Bevelled screw rims Partially openworked 22-carat gold oscillating weight with anthracite galvanic treatment Case 18-carat pink gold Royal Oak Offshore engraving Pushpiece-guards and fastening studs 18-carat pink gold Dial Exclusive 'Méga Tapisserie' engraving Strap adorned with two grooves 18-carat pin buckle

DESCRIPTION

• ROYAL OAK OFFSHORE CHRONOGRAPH
  
  Three new timepieces are joining the prestigious lineage of Royal Oak Offshore chronographs. Case size, design elements and the choice of materials represent a number of subtle touches that are forging a new path on which control meets strength. These timepieces that have now become a signifcant part of the collection are indeed distinguished by a perfect balance of forces. The collection’s signature codes are all there, since one simply cannot modify the identity of a legendary collection, the quintessential sports watch combining audacity and performance. The horological substance is also there, housed within a mechanical selfwinding movement with exceptional fnishing representing the pinnacle of watchmaking hand craftsmanship.
  
  The case: outsized perfection
  
  Historically, the Royal Oak Offshore is the largest of the large. Disproportionate' Gigantic' When it was frst introduced in 1992, some even went so far as to claim it was an insult to good taste. It proved to be a pioneer! Its design echoed the vigorous shape of the Royal Oak, the famous octagon that in 1972 had shaken up the peaceful scene of classic round watches.
  
  But 20 years later, the Royal Oak Offshore was even sturdier and more masculine. It set the trend for large-sized watches that has continued ever since. Today, the Royal Oak Offshore collection is reaffrming its supremacy, since the case of the new threesome measures a full 44 millimetres.
  
  In each of the three versions, the case is composed of two materials. Ceramics is associated with steel for the frst, with forged carbon in the second, and with pink gold for the third. Forged carbon is a material borrowed from the feld of aeronautics and which the Manufacture Audemars Piguet was the frst to introduce into the world of fne watchmaking.
  The choice of ceramics for the bezel – the part most exposed to shocks and thus to scratches – is due to its extreme resistance and hardness. The level of fnishing applied to this material deserves a mention, because although this material is currently much in favour in the watch industry, rarely is it fnished with such meticulous care. Diamond-coated grinding wheels remove hundredths of a millimetre layers of material in order to achieve the same fne details one can achieve, but the process requires a large number of operations that are far more delicate and time-consuming.
  
  The contrasting materials serve to underscore the stature of the 44 millimetre case middles. With their surface featuring a vertical satin-brushed fnish and their polished chamfers, the ceramic bezels accentuate the strong character of the octagonal shape, which is punctuated by its eight polished steel hexagonal screws in keeping with the signature codes of the collection. It is instantly recognizable, repeatedly imitated, but as yet unequalled!
  
  The right-hand side of the watch has been the object of particular care. The pushpiece-guards are not part of the case, but are instead composed of two separate parts secured to the case by four visible screws. The pushpieces are composed of two parts: a base and a top that serves as a contact surface. The construction is thus highly complex and calls for a large number of operations, especially since the parts feature a wide variety of fnishes. The pushpiece-guards are beadblasted and satin-brushed, while the pushpieces are beadblasted and feature a satinbrushed and polished top. These models thus involve far more than just a change of size. The entire aesthetic of the case has been reworked. The clear-cut edges defne a chronograph with taut, sculptured lines radiating self-assurance, effciency and extreme technical sophistication.
  
  The dial: a pure, modern look
  
  The dials adopt an extremely understated style. Nothing is purely decorative, and everything has been designed to enhance their readability. They feature facetted hands in white or pink gold and are coated with a luminescent substance. The contrasting colours mainly aim to facilitate legibility: a silver-toned dial and bezel with black counters and anthracite hourmarkers for the steel version; and a black dial and fange with silver-toned counters and pink gold hour-markers for the pink gold version. On the forged carbon model dominated by black tones, the hour-markers are highlighted in the luminescent green colour typical of measuring instruments. The chronograph indications are distinguished by the red accents of the chronograph counter hands and the central sweep seconds hand. Each of the dials carries the collection’s trademark “Méga Tapisserie” motif, while the grooved black rubber strap also complies with the original identity codes.
  
  The movement: mechanical splendour
  
  Turning over the watch enables one to gaze through its transparent back to admire its beating heart. Developed on the basis of Audemars Piguet Calibre 3120, the 3126/3840 movement is distinguished by its extreme reliability. Its cross-through balance-bridge ensures improved shock-resistance, while its rating remains stable thanks to a variable-inertia balance ftted with eight inertia-blocks. Moreover, Calibre 3126/3840 provides excellent user-friendliness, particularly due to the instant-jump and fast-adjusted date mechanism, along with a 60-hour power reserve and a stop seconds device when setting the time.
  
  One also notes the refned cutting out and meticulous craftsmanship lavished on this calibre may be admired through the sapphire crystal case-back. Hand-assembled and decorated in the Le Brassus workshops, this movement boasts an exceptional level of execution and fnishing. Arranged in an elegantly harmonious manner, the bridges are carefully bevelled and polished so as to reveal only clean-cut edges. The jewel sinks are diamond-polished, and the wheels feature bevelled spokes and diamond-polished countersinks. Even the rim and lots of the screws are bevelled. The mainplate is circular-grained on both sides and the bridges are adorned with Côtes de Genève.
  
  Finally, the newly developed oscillating weight is crafted all of a piece from a block of 22- carat gold and is coated with an anthracite galvanic treatment in harmony with the sporting and technical spirit of the collection. The AP emblem is surrounded by two bevel-fnished.